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wolfgang weingart typography

12 December 2020

The book doesn’t just give you glimpses, but detailed accounts of his life and times, leaving no stones unturned. He suggests that four typefaces are enough to address all typographic problems. His style is characterized as Swiss Typography. It is the tension between his desire to express and his consideration for communication that creates this interesting mix of work and his perpetually inquisitive working ethos. To call what he did and still does as ‘deconstructive’ would be too simplistic a comment. Grid systems in graphic design: A visual communication manual for graphic designers, typographers and three dimensional designers (NIGGLI EDITIONS) (German and English Edition), The Visual History of Type: A visual survey of 320 typefaces, The New Typography (Weimar and Now: German Cultural Criticism (Paperback)), Type. This is when the semantic function of typography comes in: Weingart believes that certain graphic modifications of type can in fact intensify meaning. Instead of drawing the lines as he was told, he went over to the type shop and made a contraption that he could use to print lines. Wolfgang Weingart is regarded as the "enfant terrible" of modern Swiss typography. Please try again. Please try your request again later. Wolfgang Weingart (b. In the late 1960s he instilled creativity and a desire for experimentation into the ossified Swiss typographical industry and reflected this renewal in his own work. It was at this time that Weingart took a great interest in making things with his hands. ‘Sometimes I wish I was living in the nineteenth century,’ writes Weingart in one of the pages. At this point, our dear Mr Weingart barges in, hurriedly corrects my one-sided viewpoint of Swiss typography: ‘not only one conception of typography exists in Switzerland’. He is not only recognized for his skills as a graphic designer, but as an instructor. Wolfgang Weingart: Typography. His design education focused on typesetting and the process of […] Countless designers have been inspired by his teaching at the Basle School of Design and by his lectures. His typographic experiments were strongly grounded, and were based on an intimate understanding of the semantic, syntactic and pragmatic functions of typography. What more can you ask for in a career? The computer and electronic tools in general are destroying our natural needs.’ The natural needs, perhaps, is our need to create, to express. is Wolfgang Weingart. They believed that typography should be unobtrusive and transparent, in order to clearly communicate its textual content. Weingart’s typographic experimentations spanned across three different eras of typesetting technology: letterpress, phototypesetting and the computer. In a class he had with Armin Hoffmann, the students were asked to work on a line composition using ruling pens. Working alongside Emil Ruder’s class at Basel, Weingart was able to continue pursuing his letter ‘M’ series of typographic studies that he had begun when he was working part time at a typesetting firm. The simplicity of his choice of typefaces speaks of his fondness of simple tools. His work is characterized as Swiss Typography. Or perhaps it is an antidote for his rather grim view on the future of graphic design: ‘graphic design is in a big crisis. Perhaps ‘rebel’ is too harsh of a description – he was simply inquisitive. In Typography Weingart gives an unusual and frank narrative of his early life and development as a designer. This is Wolfgang Weingart’s retrospective book on typography, compiled by Lars Müller Publishers into a volume in ten sections in 2000. As the successor to Emil Ruder at the world-famous Schule fur Gestaltung in Basel, he enhanced the rigor of Swiss Typography with experimental verve and creativity; he also put his innovative ideas to work for Typografische Monatsblatter. Wolfgang Weingart Weingart was most influential as a teacher and a design philosopher. The value of living has changed. This article is the result of my personal encounter with Wolfgang Weingart at the Emily Carr Institute of Art & Design in March 2001, where I was a student at the time. He instilled creativity and a desire for experimentation into the ossified Swiss... read more Author (s): Wolfgang Weingart 22,5 x 27,5 cm, 8 ¾ x 10 ¾ in It was he who ignited the spark of ‘typographic anarchy’ that exploded on the verge of the nineteen nineties. I miss many things that I grew up with during and after the war that can never be found any more.’ These provocative statements are sprinkled throughout the book, intended as foods for thought for students to contemplate what it is that they are doing. Let me leave you with these wonderful words from Weingart: ‘what still surprises and inspires me today: to turn blank paper into a printed page.’ Nothing can be more reassuring than to read words like these from someone who has almost forty years of experience behind him. Something went wrong. Research into Tradition, Media Revolutions and Innovation in the Work of Wolfgang Weingart 1961–2004. Whereas ‘traditional’ Swiss typography mainly focused on the syntactic function, Weingart was interested in how far the graphic qualities of typography can be pushed and still retain its meaning. It is surprising that he was probably also the first person to introduce the Macintosh computer into the type shop in Switzerland. Some of his personal work is almost akin to landscape paintings, only that his paintbrush is replaced by type, rules and screens. According to Weingart, "I took 'Swiss Typography' as my starting point, but then I blew it apart, never forcing any style upon my students. There are 5,933 graphic design works online. His typographic layouts are compelling yet lucid, free yet controlled. Hong Kong. Swiss typography became synonymous with corporate design for multinationals, and subsequently referred to as the ‘international typographic style’. When he was an apprentice at a letterpress workshop, he was pondering about why the brass rules that were used to print tabular matter always had to be straight and at 90-degree angles to each other. Following his rather unsuccessful attempt at completing his course, Armin Hoffmann, who was then the head of the Basel School, invited him to teach there, by the sheer admiration of his work. The education in our school is not the best any more. He is commonly credited as the father of New Wave typography, also known as “Swiss Punk Typography.” Born in 1941 in southern Germany, Weingart attended the Merz Akademie in Stuttgart from 1958 to 1960. Wolfgang Weingart Wolfgang Weingart is an internationally recognized figure for his iconic body of work in the field of graphic designing and typography. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. What exactly is ‘Swiss typography’? Your recently viewed items and featured recommendations, Select the department you want to search in. Technological progression eventually led Weingart to experiment with photographic reproduction processes. There are 10,039 design works online. While no one can give a definitive answer as to whether these American graphic designers took what Weingart did and brought it to new heights, they certainly managed to make it a huge commercial success. His inspirations were mainly drawn from the processes of typesetting and reproduction, where he finds great pleasure in discovering their characteristics and pushing them to their limits. Please try again. I … We had an immensely enjoyable afternoon of discussions and an insightful lecture in the evening. If you haven’t read it, I suggest that you do because it is just about as much as one can look into any designer’s life, work and influences. Since 1972, Weingart has lectured widely on his teaching methods in Europe, the US, Canada and Mexico. Please try again. Both as a teacher and a designer, Wolfgang Weingart's influence on the development of typography since the 1970s is unparalleled. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. By the beginning of the sixties, the language of Swiss typography had already gained reputation the world over. He doesn’t seem to perceive a divide between fine art and typography. Yet, despite how readily he accepted and pushed the boundaries of the letterpress and phototypesetting processes, he is rather unenthusiastic about the computer technology. ‘I grew up with Akzidenz Grotesk and I love it. Figures such as Armin Hoffmann and Emil Ruder were the major proponents of Swiss typography, who were teachers at the Basel School of Design at the time. Lars Muller; Bilingual edition (July 25, 2014), Reviewed in the United States on November 23, 2014, Very different compared to what is offered in the area of Typography, Reviewed in the United States on November 16, 2015. every graphic elements and photos inside is worth seeing. Weingart was born in the midst of the World War II in Germany. When he was a young boy, he once completely disassembled his bicycle and put it back together again. The use of grid systems was the key to the logical disposition of type and images on the page, along with sanserif typefaces for clear, functional communication. For the first time he gives a comprehensive survey of his works over the past forty years, most of which are unknown. Wolfgang Weingart, born in 1941, in the Salem Valley, Germany, is known to be a typographer, graphic designer, and theacher. Countless designers have been inspired by his teaching at the Basle School of Design and by his In over 500 pages with over 400 illustrations, Weingart recounts his early life as a designer, as well as the years of training and development that he went through to get to the point that he is today. ‘They were doing it as a style and it was never my idea to create fashion’, denotes Weingart. Wolfgang Weingart (born 1941 in the Salem Valley in southern Germany) is an internationally known graphic designer and typographer. His name is Wolfgang Weingart. Wolfgang Weingart: Typography in Context. In the late 1960s he instilled creativity and a desire for experimentation into the ossified Swiss typographical industry and reflected this renewal in his own work. by Stuart Bailey. In the late 1960s he instilled creativity and a desire for experimentation into the ossified Swiss typographical industry and reflected this renewal in his own work. As much as he tries to be expressive with type, he feels that there are times when the clients’ wishes and the users’ needs are of a more urgent priority. Designer and instructor Wolfgang Weingart is recognized for his typographic explorations and teaching at the Schule für Gestaltung Basel, and who, through the work of his students, created a more experimental and expressive approach to typography that was influential around the world. Largely self-taught as a designer, since 1968 he has been a tutor at the Schule für Gestaltung Basel, Switzerland, where he concentrates on experimental typography. He liberated letters from the corset of theright angle, spaced, underlined or reshaped them and reorganised typesetting. Reviewed in the United States on September 28, 2014, Reviewed in the United States on July 19, 2020. He began teaching at the Basel School of Design, where he was appointed an instructor of typography by Armin Hofman in 1963. Most famous for his experimental, expressive work that broke the mould of classical Swiss typography, Weingart began his typographic career in the early sixties as an apprentice of hand composition at a typesetting firm. He is also deemed the pioneer of ‘New Wave’ or Swiss Punk typography. Full text and full Q&A session transcript in PDF format. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. He has been teaching there ever since and had made extraordinary impact on the contemporary typographic landscape. He compares the computer to a digital watch: a traditional watch shows a ‘landscape’, it tells a story; a digital watch only shows a particular moment. His visit was certainly one of the main highlights of my days at design school. His name is Wolfgang Weingart. In 1947, after Weingart started school, he noticed the academics weren’t a part of his stregnths. Weingart was considered to be one of the first to disregard the International Style along with Odermatt and Tissi and once stated that his starting point was the mordernist Swiss typography and he just had to blow it apart to create his unique work. A Visual History of Typefaces & Graphic Styles (Multilingual Edition), The Anatomy of Type: A Graphic Guide to 100 Typefaces, Designing with Type, 5th Edition: The Essential Guide to Typography, Typography: Formation and TransFormation (NIGGLI EDITIONS), Research for Designers: A Guide to Methods and Practice, Graphic Design Manual: Principles and Practice. Weingart recalls, ‘in my presentations in 1972, there was always a group of audience that hated it, one group that loved it, and the rest would all leave during the lecture.’ The people who were against his experimentations dismissed it as something that could never be adopted commercially. Wolfgang Weingart, Lümmel, from: Das Kotzenbuch, 1970–1972, letterpress, manual typesetting. Wolfgang Weingart (b. shipping: + $7.06 shipping . Weingart’s work is characterized by his painterly application of graphical and typographical elements. Wolfgang Weingart has 10 works online. ‘For me, typography is a triangular relationship between design idea, typographic elements, and printing technique,’ writes Weingart. He created highly abstract letterpress prints with rules shaped into elegant curves, almost resembling rolling hills in a beautiful countryside. WOLFGANG WEINGART: My Way to Typography BOOK LIMITED EDITION RARE . It wasn’t until the early eighties, when his American students like April Greiman and Dan Friedman brought back to the US a wealth of typographic arsenals from Basel and co-opted it into the mainstream of graphic design. ‘Every page of the book is a handmade cookie.’ He had spent five years to put this book together, and it contains much of his personal exploratory work that had not seen the light of day until now. Une ballade que tient un chemin de fer de qualité. You can learn a lot just by looking at the book. I also consulted several sources when writing this article, and corresponded with Weingart on a couple of occasions. Weingart simply knows when he has to put his ego aside and emphasize on solving particular design problems. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. This unique process yielded dramatic black and white letterforms in perspective and formed the basis of many engaging abstract compositions. Tseung Kwan O, NT From April Greiman’s ‘hybrid imagery’ to David Carson’s deconstructive page layouts, anarchy reigned supreme in the nineties. He found that with the repro camera, a more fluid range of type sizes was possible. I would like to extend my personal thanks to Mr Weingart here. For this, we began by choosing a designer from a long list, and diving … His work breaks out of the rigidity of prevailing conceptions of swiss typography while giving us a fresh look to the endless possibilities it holds. It also analyzes reviews to verify trustworthiness. Wolfgang Weingart is an internationally known graphic designer and typographer who is regarded as the “enfant terrible” of modern Swiss typography. Wolfgang Weingart is known by many as a typographer, a graphic designer, a rebel, an “enfant terrible”, the father of “New Wave”typography and a teacher. Flipping through the book is almost a voyeuristic experience – it is almost as if you were looking through one’s personal sketchbook or diary. Wolfgang Weingart gilt als „enfant terrible“ der modernen Schweizer Typografie. Since the 1970s Wolfgang Weingart has exerted a decisive influence on the international development of typography. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free. He started it all. Since the 1970s Wolfgang Weingart has exerted a decisive influence on the international development of typography. Reviewed in the United Kingdom on February 27, 2015. There is no doubt that Weingart bent the rule of classical Swiss typography – both literally and figuratively. keith.tam [at] vtc.edu.hk Shillington Book Club: My Way to Typography by Wolfgang Weingart Sarah McHugh, UK Director – My Way to Typography Author/Publisher: Wolfgang Weingart I love typography and I experimented a lot with print techniques and type throughout my career, I have always been inspired by Wolfgang Weingart, his work had a massive impact on me when I was studying. Not satisfied with the rather limited range of sizes that metal type offered, Weingart began to explore the possibilities of the repro camera. Weingart was a swiss punk graphic designer and lecturer that is regarded as the father of New Wave typography. Since the first day when he arrived at Basel as a student, it was clear that Weingart was a rebel. This book is perhaps a token for his passion about teaching. He also taught for the Yale University Summer Design Program in Brissago. A Page for Graphic Designers: Wolfgang Weingart; AIGA Boston: Weingart Lecture and Typography Workshop; MK Graphic Design: My Typography Instruction at the Basle School of Design/Switzerland 1968 to 1985; Typotheque: Wolfgang Weingart - Typography, book review by Stuart Bailey Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Wolfgang Weingart is known for his experimentation in typography, becoming a significant figure in its international development in the 1960s, 70s, and onwards. He printed a few letter Ms by letterpress, pasted them down on a cube, and photographed them from different perspectives. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. Our second Communication Studio project is called Connecting History. His career is one of curiosity and experience, aptitude rather than learning, and of ordered experiment and visual enjoyment. He would proudly acknowledge that his experimental typography is also Swiss, because it was a ‘natural progression’ from the classical Swiss typography as we know it. Weingart’s ingenuity is simply impressive: he took a plank of wood, screwed L-shaped hooks on it in a grid format, then turned them at 0, 45 and 90 degree angles to form compositions, inked it and printed it on a letterpress. Rivivere uno dei pionieri della grafica è un must per chi vuole capire uno dei tanti mestieri che un grafico ne fa responsabile. He is credited with developing the ‘New Wave’ typography in the early 1970s which is also dubbed as ‘Swiss Punk’. keith [at] keithtam.net, Room B1041, 3 King Ling Road In his typographic work, Weingart has been equally fascinated by the technology and mechanical reproduction processes. Why? In 2000, Weingart published a substantial monologue simply titled My way to typography, a remarkable object of design in itself. Weingart spent his childhood in Germany, moving briefly to Lisbon in 1954 with his family.… His work is categorized as Swiss typography and he is credited as "the father" of New Wave or Swiss Punk typography. Akzidenz Grotesk has a certain ugliness to it, that’s why it has character.’ He feels that Univers, which is Emil Ruder’s favorite, is too slick and cosmetic for his taste. He then decided to further his studies at the Basel School of Design in Switzerland, the cradle of classical Swiss typography. Weingart wants his students to experience design as a tactile, hands-on experience. $699.99. Swiss typography was founded upon the teachings of the Bauhaus in Germany soon after World War II and became a rational approach to typography. In the midst of his emotionally satisfying work one will also occasionally encounter work in his repertoire that is undeniably Swiss in its original flavor – calm, rational and clear. Licensing. Since the 1970s Wolfgang Weingart has exerted a decisive influence on the international development of typography. His work is categorized as Swiss typography and he is credited as "the father" of New Wave or Swiss Punk typography. 1941) Swiss Punk Wolfgang Weingart is a German graphic designer credited as the progenitor of New Wave typography. Weingart was born in the midst of the World War II in Germany. Free shipping . Wolfgang Weingart was born in 1941 and trained as a typesetter in Basle. Every page is a study in type and form. Stuart Bailey looks at the contradictions in Weingart's book and his design work in context. He is certainly known for his departure from traditional Swiss typography, having once said, “I took Swiss Typography as my starting point, but then I … ‘That’s my schizophrenic personality,’ says Weingart. Weingart’s fascination with everything mechanical started at an early age. That’s why Weingart’s students do not design on the computer – they are asked to first work out their ideas by hand. Wolfgang Weingart was a german typographer who greatly influenced the swiss typography with his experimentation propagating the ʻnew waveʼ. Those were the days for graphic design superstars, whose style many a graphic designer adored and imitated. In the late 1960s he instilled creativity and a desire for experimentation into the ossified Swiss typographical industry and reflected this renewal in his own work. The teaching at Basel for Weingart is not about trends but a ‘stability’ that they try to move away from, but never totally. The simpler the assignment, the more difficult the solution,” writes Wolfgang Weingart in his book, Typography. There was an error retrieving your Wish Lists. The possibilities that these technologies offer seem endless to him, and he finds it hugely satisfying to explore the materials: ‘The thing that is so special for me… is the variability of the materials under the influence of idea and technique.’. A useful critical review of the monograph from the Swiss designer who bent the Swiss grid. You're listening to a sample of the Audible audio edition. There's a problem loading this menu right now. 520 pages de typographie dans tous ses états. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Since the 1970s Wolfgang Weingart has exerted a decisive influence on the international development of typography. 1941) Wolfgang Weingart is a graphic designer and typographer. The emotionally-charged lines, the potent, image-like qualities of his type, the almost cinematic impact of his layouts, all speak of his great passion of creating with graphical forms. Wolfgang Weingart In his work, Weingart demonstrates his mastery of typographic rules and the meaning achieved in breaking them. Weingart's work is a benchmark in design and typography. ‘Typograficzny pejzaz Wolfganga Weingarta’ (‘Wolfgang Weingart’s typographic landscape’) in 2+3D, i–2003, Nr 6, pp.18–23 (in Polish). He screwed the hooks into the wood at different levels so some received ink at type-high and some did not. Wolfgang Weingart Wolfgang Weingart (born 1941) is an internationally known graphic designer and typographer. Most fa-mous for his experimental, expressive work that broke the mould of classical Swiss typography, Weingart began his typographic career in the early sixties as an apprentice of hand composition at a typesetting firm. No Kindle device required had made extraordinary impact on the development of typography type-high and did...: Das Kotzenbuch, 1970–1972, letterpress, pasted them down on a cube, and technique... 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